![]() ![]() On a micro level there are many variables where harmonic practice allows for ‘strong’ or ‘weak’ (perhaps ‘passive’ is a better word ) progressions usually to do with the emphasis on strong or weak parts of a bar and what chords they’re connected to. ![]() There’s a very good teaching book in the UK (not many know about it) called creative musical techniques by Graham Redwood that detailed strong/weak progressions on the context of Bach in particular but it’s sadly out of print.Ĭlassical harmony doesn’t necessarily follow progressive vs recessive balance in the same way self contained melody does other than the basic underlying progression of movement ‘from a tonic’ to ‘away from a tonic’ and then ‘back to a tonic’ on a macro level (and on a ridiculously generalised level). Click to expand.Possibly beyond the scope of this thread.
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